Instagram Panorama Splitter — one wide photo, one swipe
A carousel is a row of separate posts, but if the pieces are cut from one image and line up at the edges, swiping through them feels like panning across the whole scene. This Instagram panorama splitter does the cutting: load a wide photo from your device, pick the shape you want each slide to be, and it works out how many slides the image is worth, shows you exactly where the seams fall, and hands back the slices as separate files. The photo is decoded and sliced by your own browser and is never uploaded anywhere.
You do not choose the slice count — the shapes do
This is the part that makes a panorama splitter different from a grid splitter. With a grid you pick rows and columns. Here the number falls out of two aspect ratios: divide the image's ratio by the post ratio and you have the number of posts the image is worth. A 6000 × 1000 panorama is 6:1, and a square post is 1:1, so it is exactly six slides wide. Change the target to 4:5 and each slide is narrower, so the same photo becomes 7.5 slides.
That division almost never lands on a whole number, and a slide-and-a- half is not a thing you can post. So the figure is rounded, the tool shows you the unrounded value beside it, and the difference between the two has to go somewhere. That is the whole job.
Crop or letterbox: two ways to close the gap
Crop to fit keeps the full height of the photo and trims the sides until the strip has the right proportions. If the image is not wide enough for that many slices at its full height, the tool flips the other way instead — it keeps every column of pixels and trims vertically at the anchor you choose, top, centre or bottom. Exactly one of those fires, the tool says which, and it reports the loss in both pixels and percent while dimming the doomed regions in the preview.
Letterbox to fit throws nothing away. It pads the photo out to the strip's proportions in a colour you pick and reports the thickness added to each edge. The trade is honest and visible: those bars appear in the finished carousel.
Upload order runs left to right
Slide 1 is the leftmost slice, and the numbering in the filenames runs straight through to the right edge, so sorting the folder by name gives you the upload queue. This is worth stating plainly because it is the reverse of a profile grid split: a grid fills from the bottom-right upward, so grid tiles have to go up backwards. Carry that habit into a carousel and the panorama comes out scrambled.
What the previews are for
The seam preview draws the cropped or padded image once, with a vertical line at every boundary and a number in each column, so you can see whether a seam is about to land on somebody's face before you export anything. The swipe simulator shows one post-sized frame at a time with arrow-key navigation — it renders from the same slice descriptors the export uses, so what you step through is what the files contain.
Everything happens in this tab
There is no upload, no server and no address box for a remote image. Drawing a picture fetched from another site taints the canvas and the browser then refuses to let the page read the pixels back out, so the export would fail at the last step — local files only, through the picker, drag-and-drop or a clipboard paste. Rotation tags from phone cameras are applied on decode, because getting that wrong turns the whole strip on its side.
The maximum slice count is a plain number input that starts at ten and is yours to set, because platform limits change without notice and this tool does not assert any as fact. When a photo is wider than your maximum allows, it says so and offers to raise the limit rather than quietly cropping the extra away.